000 02698nam a22002297a 4500
005 20220119145003.0
008 220119b ||||| |||| 00| 0 eng d
020 _a9789389648287
040 _cAL
041 _aeng
082 _223
_a820.33
_bNONF
100 _aKynpham Sing Nongkynrih
_913763
245 _aFuneral Rights
260 _aChennai:
_bWestland Publications Pvt. Ltd.,
_c2021.
300 _axii,1009 p.
_bPB
_c23x15 cm.
365 _2General
_a4529
_b701.22
_c
_d899.00
_e22%
_f22-12-2021
520 _aA group of friends from Shillong journey to a remote part of West Khasi Hills to witness Ka Phor Sorat, the feast of the dead, a unique six-day-long funeral ceremony of the Lyngngams, a Khasi sub-tribe. It may well be the last time this ancient rite is performed. The ceremony—involving a number of rituals and the sacrifice of as many as fifty bulls—will conclude with the cremation of a beloved elder, a woman whose body has been preserved in a tree house for nine whole months. By mistake, however, the group ends up reaching the secluded hamlet of Nongshyrkon seven days early. Stuck in the jungle for eleven days, they spend their nights around a fire in the middle of a spacious hut built especially for them, sharing stories and debating issues in what turns out to be a journey of discovery for all of them. Funeral Nights is an unconventional novel—a vast collection of stories big and small, not so much about death, but about life, past, present and future, rural and urban, high and low; about admirable men and women, raconteurs and pranksters, lovers and fools, politicians and conmen, drunks and taxi drivers; about culture and history, religion and God, myth and legend. Inspired by the narrative frame of Boccaccio’s The Decameron and The Arabian Nights, but adopting a serio-comic style, this is intimate access to a whole world, spectacular in its documentation of a tribe’s life and culture such as has never been attempted before. ‘A closely-woven sequence of narratives that provides us a profound insight into the working of the tribal psyche where the borders of the real and the surreal get blurred ... Here is a book of rare scholarship that Mircea Eliade or Claude L vi-Strauss would have read with admiration and yet remains as accessible as fiction to the lay reader.’ K . SATCHIDANANDAN ‘This is the Moby Dick of Meghalaya, a novel of huge ambition and tremendous appetite. Or is it a novel at all?’ JERRY PINTO author of Em and the Big Hoom and Murder in Mahim
650 _aIndian English Fiction
_913764
650 _aIndian English Literature
_913765
700 _aNONGKYNRIH (Kynpham Sing)
_913766
942 _2ddc
_cBK
999 _c221255
_d221255